Within the desolate sands of the Libyan desert lies the Valley of the Planets, a site that has over time continued to capture the curiosity of humans. The valley is dotted with rock outcrops of dome-like symmetrical shapes, while numerous depressions—mostly large and circular—are scattered over the ground. These are eerie, almost alien-like features, which appear as if a giant hand had pressed planetary orbs into the earth once patterned by their likeness.
While geologists suggest the valley’s formations might be the result of millions of years of wind erosion, some theories propose a more cataclysmic history. There are hints that the valley could have been shaped by powerful seismic activity or, even more compellingly, by a series of meteor impacts that occurred in a distant time, with each crater bearing the mark of celestial objects slamming into the ground. Such an event would have released an extraordinary amount of energy, possibly creating atmospheric pressures that would have molded the valley’s rocks into their strange dome shapes.
Another tantalizing theory suggests that the Valley of the Planets was once submerged beneath an ancient long since evaporated sea which would have shaped the area’s limestone formations. But perhaps the most mysterious notion is that the formations are remnants of an ancient, unknown culture that harnessed advanced tools—or even forces—capable of manipulating the landscape on a large scale. This theory remains unverified, but the Valley of the Planets continues to tempt those who are curious about past civilizations, cataclysmic events, as well as unexplained mysteries.
Blind Target 777-3015: View and explain the mystery of the valley of the planets in Libya. What are its origins?
Remote Viewers: Pat A, John Dixon, Morgan Farrell, Becca Nielsen, and Jemma Warner
Tasker: John Adams
Remote Viewing Results
Our results indicate several things that line up with some of the potential theories regarding the origins of these objects specific to this area—an aquatic environment firstly, a mention of atmospheric pressure, structures, bio-organics and living material, metals, as well as a strange eerie aspect to this target. It's as if there is a technology or process going on here that we are not fully aware of. There is the mention of relics, Mayan-like structures, the depiction of a sun dial (twice), strange and/or powerful energies, technological and organic processes, a toxic poisoning of waters, and potential cataclysmic activity.
Pat A
Pat perceived something manmade and artificial, motion, activity, outside, sandy, rocky, dusty, little vegetal, metal, voices and structures. Her drawings of structures were interesting in that it seemed to involve a round hollow area with an activity going on associated with two different levels and some processes. Interestingly, she noted metallic, glassy, and liquid. Her final drawing contained what seemed to be liquid and a sunset.
John Dixon
John sketched a number of interesting drawings, not least of which were the Mayan calendar structures and what appears to be a sun dial. He also went into detail regarding the turning of objects and various compounds, including carbon dioxide, riboflavin, tungsten, sheet metal, heat and a magnetic field. He, like Becca Nielsen, depicted a butterfly and cocoon.
In his summary, he stated "the origins of the target seem to be a chemical reaction combined with compaction and condensing by coming into contact with denser materials - the objects are not perfectly symmetrical. Other things found at the site: Mayan calendar references, Mayan pyramid-like shapes, and step-like attributes/characteristics."
Morgan Farrell
Morgan said, " Upon engaging the target, the first impression I received was the presence of what seemed to be sparks - they were everywhere. I was in the midst of a tumultuous situation, a massive release of energy. I understood this to be occurring on a large-scale, possibly even planetary in nature. The ground, or surface her seemed to be uneven. I perceived that I may actually be subsurface, or underwater. Next, from above, I observed a large, tall feature, semi-cylindrical and tapering inward toward the top. This feature seemed to be surrounded by thick, billowing smoke or clouds, appearing much like pyroclastic flow. From here, the scene shifted, temporarily stabilizing, appearing to show a high up and tall peaked area, described as grey, rocky, and barren. Prompting myself to try to understand what happened? my attention shifted toward an aquatic scene. Here, I witnessed what was once clear, fresh water become contaminated (possibly irradiated). It seems that there are poisoned fish here. They become poisoned due to the presence of ash, toxic ash that is soaking-in [to their bodies] and contaminating the local ecology.
Finally, I observed this (these) fish in rapid action, as as though trying to escape. There is some frantic and rapid flailing, swimming chaotically and confusedly into a (possibly recently formed) rift or fissure. This is a blind action, that reminds me of traversing a maze. I perceived a maze-like pattern (perhaps somewhat exaggerated in its depiction for effect), reminding me of the patterns that can be found in certain regions below the ocean on Google Earth.
I get the impression that all of this is the result of some sort of chaotic energy being introduced into an otherwise stable system, or ecosystem. Given that the task in this case was to determine the origins of the “Valley of the Planets” in Libya, and based on my session results, I submit that this place and its features are the result of massive (cataclysmic) earth changes, including widespread explosive volcanism. A major portion of this occurs below the earth’s surface, underwater. This significantly affects and alters the regional (if not global) geology and ecology."
Becca Nielsen
Becca had several interesting sketches, some of them noting a rotating aspect, aquatic environments and characteristics, and like John Dixon drew and mentioned a butterfly or cacoon aspect. In her session she found this resulting in some elegance. She reported that she "got a sense that there is a "nest"-like structure or situation with these that is protected or guarded in some way. I don't often get words spoken out loud but I distinctly heard "stay away from the nest". A nest is a structure animals make to have their babies in. I did keep getting a metallic shimmer sense that was alive, like glowing phosphorous algae that produces a bioluminescence. I said words like "it shimmered, glowed, etc". There is some kind of vascular system (celery fibers) that is creating the rings like you find in trees. There is also some type of electromagnetic field being generated from the abundance of minerals in this area. I would love to know more about what scientists have explored and discovered about it all.
She also mentioned glass. "There seems to be a lot of glass in the sand - it gives that oasis, water-like feel; smooth, sparkly, shimmery..."
Jemma Warner
Jemma noted glassy, glossy, smooth and curved aspects. She heard technology going on, felt the taste of humans, heard a sonar like beeping, and AOL'd submarine as well as drew a boat in water, potentially helping to support once again the aquatic idea. She wrote of "intrigue, observation and exploration". There was the presence of technology and structures. She mentioned that there was hard work going on, tension, stress, navigation, a large operation, and notably "environment pressure".
Conclusion
All the viewers did a really nice job, and as you can see there does appear to be a process depicted in the formation of these strange objects in the viewing. While it is difficult to determine whether there were intelligent forces at work, it does appear that something rather unusual went on in their making. These aspects include bio-organic processes, possible technological processes, potential design and fabrication, the depiction of something rolling or being rolled, possible subjects and cataclysmic events. Perhaps all of these things are in fact involved, coupled together with weather and erosion. We may never know for sure, but there are ample clues here to suggest the need for future investigations.
—John Adams
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